Sooo… a bit of an eeekxpression. I am aware of the “Going Electric” now changed to “A complete unknown” biopic that is set to be released next year. It’s directed by James Mangold, portrayed by Mr. Chalamet. I admire Timothée as an actor… I even said he was very well the new voice of our generation. Naturally, it’s fitting he should embody this role. It’s important that young people dive deep into an icon that has generated ripples felt in many cultures and music lived out today. However, I’m quite hesitant in jovial inclination in this upcoming release. In fact, more a brick to the gut. (Maybe a bit of fan possesion, I’ll admit) I’m ambivalent for Dylan to become a TikTok jingle or exploited because of an actor’s reputation. For me, it would’ve been crucial to see a less marketable actor become a token of success under the umbrella of this divison of film. Not only is authenticity peaked, additionally, the mysterious aura that many people conclude Dylan to possess, would be present. I’m not sure if the production’s intention is aimed at a target goal and seeking a younger, female audience. Is the intention profit or having a raw depiction of a period in a celebrities life? Can you achieve both or does one get tainted? The 2007 movie “I’m Not There” only grossed 4 million in the US despite the extensive list of its famous cast & crew. (Source: Rottentomatoes) Is the approach a younger actor? While this hasn’t been the first documentary nor the last, I truly hope he gets the recognition and narration that is not only equivalent to his versatile timeline, but in conjunction to the deeply rooted sediments, he has and still believes in. In this case for the theme of the movie, altering from a to a; acoustic to amp. (Unless that’s changed too). It will be a fascinating, edge-of-your-seat experience. And I hope my concern can transform into cool cadence.

Long live the chef-d’œu·vre himself, BD.